Shadow Strands (Nov 2013)

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Shadow Strands (Nov 2013)

Shadow Strands (Nov 2013)

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Madonna, Nude Photography, and Me

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What possible “relationship” could I have with Madonna?

Well, nothing huge. But I discovered that Madonna was a student at the University of Michigan until 1978 when she dropped out and relocated to New York City. I was a student at the University of Michigan starting in 1980; I missed being there at the same time by about 2 years I guess.

Apparently in 1977, Madonna was a dance student and posed nude for photographer Herman Kulkens for some drinking money (or whatever).

When I took up photography about 9 years ago, I photographed various things: my kids, landscapes, weddings, and…students at my large local university (in Upstate New York). Some of those students were dancers, and some of the photos were nudes.

So, it’s not like I photographed Madonna nude back when she and I were students at the University of Michigan. I wasn’t doing photography back then and she and I missed being students there at the same time by about 2 years.

But all the “ingredients” are there–in a weird sort of way–that were the molecules of history stirred up in a slightly different way, me photographing Madonna nude while we were both students at U of M seems nearly plausible….:p.

Sounds to me like a good plot for the old Twilight Zone TV series, don’t ya think?



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Washington DC Airport (8:36 am, Dec 2013)

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Washington DC Airport (8:36am, Dec 2013)

Washington DC Airport (8:36am, Dec 2013)


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Photography & Emerson’s Self-Reliance

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To believe your own thought, to believe that what is true for you in your private heart is true for all men, — that is genius. Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost..

— Ralph Waldo Emerson; excerpt from his essay Self-Reliance

When I read this essay back in high school, it really reverberated with me. I was raised to be independent–both in thought and action–and this essay supported that upbringing.

When Emerson wrote this essay, it captured the hearts & souls of a people (Americans) who had established a new nation and were moving West setting up new homesteads out on the prairie.

What has self-reliance got to do with photography?

There’s a modern infrastructure of sorts beckoning photographers with the message that they need editors/experts/contests/portfolio reviews/feedback to determine the worth of their work and the direction they should take with it. Instead of learning from trial-and-error and trusting their own opinion of what worked and didn’t (and then incorporating judged outcomes into future work), photographers are wholeheartedly encouraged to seek outside direction at nearly every juncture; and this outside direction usually comes with a price tag (fees payable to contests, editors, reviewers, etc).

You–the photographer–can’t possibly judge your own work. The worth of your work must be judged by others. ‘Worth’ is a social construction.

Something like the preceding quote seems to be at the basis of this need for external affirmation when it comes to judgements of value or worth. I get the impression that many people pursuing photography end up quitting when external affirmation stops or even subsides a little.

In short, there are photographers pursuing photography in order to get praise from others. And when it comes to selecting their best work (for an exhibition, book, contest, etc.) they absolutely need feedback from others to make their choices–even tabulating social media “likes” to make their final determinations.

Producing an artistic work with any sort of internal integrity or purity of vision cannot be done by committee or the crowd-sourcing of feedback. It requires the utmost focus and alignment of values, beliefs, and experiences within the mind of a determined individual.

This is not to say multiple individuals cannot produce a work of art. The vision and direction, however, must come from and/or go through one person in charge of the ultimate outcome or be at high risk of losing artistic integrity.

In practice, I have gotten feedback from others and used it to make decisions in some of my photo series (though only occasionally). However, I have found it almost “suicidal” to simply accept feedback without questioning it. Instead, I view it as “advice”–as another source of “data” really–and incorporate it into my decision process, wherein the final decisions must still be my own.

Relying on yourself to evaluate your artistic work is not easy, and lots of photographers have a hard time editing their own work, both in terms of lacking confidence in their own artistic judgements and just finding it difficult and unpleasant to do!

What do you get from self-reliance in photography anyway? Here’s what you get:

  • A Sense of Control
  • Confidence
  • Growth
  • Intense Gratification
  • Your best chance at Exhibiting Genius

That’s all.

 



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Airport Diner, Philadelphia, PA (January 2014)

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Occasionally, I take photos of “large scale scenes” that really need to be displayed as large images. This is an example of one of those…

Airport Diner, Philadelphia, PA (Jan 2014)

Airport Diner, Philadelphia, PA (Jan 2014)

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Gorilla Fascination, Washington DC (December 2013)

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Washington DC Zoo (Dec 2013)

Gorilla Fascination (Washington DC, Dec 2013)

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Smoke & Shadows Cabaret (Nov 2013)

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Smoke & Shadows Cabaret (Nov 2013)

Smoke & Shadows Cabaret (Nov 2013)


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Bosch Service, Houston, Texas (Jan 2014)

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Bosch Service, Houston, TX (Jan 2014)

Bosch Service, Houston, TX (Jan 2014)

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(note: when I take these sorts of color street photos–especially featuring buildings and city landscapes–I see the influence of Stephen Shore’s photography..)



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